BEJART
BEJART explores the fleeting nature of dance and the impossibility of repetition. The work reflects on time passing and the fragile tension between performance and disappearance.
The series takes shape as kinetic embroideries on transparent fabric, depicting dancers in motion. Each piece is created with cotton rope stitched onto see-through textile, producing the impression of continuous movement. Installed in construction sites, abandoned buildings, and architectural spaces across eight countries, the works were left open to the elements, with the wind itself acting as choreographer.
Through this process, BEJART transforms embroidery into a performative act. Each dancer’s pose is drawn from a traditional dance of the country where the installation took place, linking the work to place and cultural memory. Photography later extends the project, capturing these temporary gestures and reworking them into a series of framed prints with a motion effect.
The embroidered dancers of BEJART series exist as fleeting moments, animated briefly by air, then dissolving as quickly as they appeared. The work invites viewers to contemplate the endless aesthetic possibilities of the human body, while underscoring the impossibility of repeating a moment once it has passed.
